Event: Practical Tips for Live Shows, Lighting & Streaming
Putting on an event? You need clear lighting, reliable streaming, and gear that won’t let you down. This page pulls together simple, useful tips for stage lighting, DMX addressing, live streaming with tools like OBS, and choosing or renting broadcast equipment. No fluff — just what you can use right away.
Quick lighting and DMX tips
Start with a lighting plan. Sketch your stage and mark key zones: front, fill, back, and accents. Decide which fixtures handle each zone so you don’t scramble during setup. For DMX, always assign unique start addresses per fixture. Label fixtures and cables as you go. If a fixture uses multiple channels, note its channel span — that prevents accidental overlap.
Pick simple modes for live events. Avoid advanced modes unless your console and operator are comfortable. Use a few color presets and one or two cue fades. Test cues at performance intensity, not rehearsal light, because colors and intensity look different on camera.
LEDs save power and run cooler, but watch color rendering and beam quality. Cheap LED fixtures can look flat on camera. Check CRI/RA values and test fixtures with your camera setup before buying.
Live streaming and broadcast gear for events
Want to stream the event? OBS is a solid, free option that handles scenes, overlays, and prerecorded video inserts. Use a hardware encoder if you need reliable multi-camera feeds. Always test your bitrate and resolution against your upload speed. A rule of thumb: leave 20–30% headroom on your network.
Plan backups. Run a backup stream via a second encoder or a bonded cellular solution if the venue internet is flaky. Record a local high-quality copy from at least one camera; network hiccups are common, and local recordings save your footage.
For multi-camera events, simplify switching. Use an ATEM or similar switcher when possible. If you’re on a budget, use NDI or HDMI capture devices and keep computer resources in check. Label sources clearly so your switcher operator doesn’t guess under pressure.
Buying vs renting gear? If you run events often, buy core items: microphones, a reliable switcher, a good LED wash, and sturdy stands. Rent specialty items like high-end lenses, large projectors, or extra moving heads for one-off shows. Renting keeps costs down and gives you access to the latest tech.
Small DIY wins matter. Build a simple antenna for drone or wireless links to improve range. Carry a tool kit: gaffer tape, zip ties, extra cables, a multimeter, and a soldering iron or cold-solder pen. Test everything during load-in and run a full tech rehearsal with sound and picture checks.
Finally, keep a checklist. Include addresses, channel lists, network settings, and contact numbers. A short checklist reduces stress and makes the event run smoother. Ready to set up your next show? Start with the plan, test everything, and keep backups close.
How to webcast an event?
Webcasting an event is a great way to expand your audience by allowing people to view and participate in the event from anywhere in the world. It involves broadcasting your event live over the internet. To webcast an event, you need to plan and prepare for the event, decide which streaming platform you will use, set up equipment, create a website for the event, and promote the event. After the event, you will need to analyze the data from the webcast and make improvements for future events.
30.01.23
Maverick Renfield
0